The painter from Sinaloa: artistic analysis of a case of spatial agnosia and neglect of visual shapes

Juan Manuel Orjuela-Rojas, Ana Luisa Sosa-Ortiz, Ana Ruth Díaz-Victoria, Oscar René Marrufo Melendez, Nicolás Leyva Townsend

Producción: Contribución a una revistaArtículorevisión exhaustiva

Resumen

Paintings produced spontaneously by patients with neurological lesions represent a fascinating opportunity to analyze some aspects of the underlying disease and involved brain mechanisms. Many cases of artists who have suffered spatial neglect following a neurological disease have been reported in the literature. However, only a few studies evaluating the different subtypes of graphic neglect and aspects related to the construction of perspective (three dimensionality) in works of art have been published. In the present article, we present the case of an artist who, after resection of a central neurocytoma that affected the right thalamo-parietal connections, suffered an impairment of the ability to create perspective in his paintings and involuntary omission of only shapes in the left side of his paintings, although colors and contours were preserved.

Idioma originalInglés
Páginas (desde-hasta)304-313
Número de páginas10
PublicaciónNeurocase
Volumen23
N.º5-6
DOI
EstadoPublicada - 02 nov. 2017
Publicado de forma externa

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