Narrar en audiovisual: Perspectivas de víctimas del conflicto armado en Colombia sobre el proceso de realización audiovisual

Sandra Carolina Patiño-Ospina, Juan David Zabala-Sandoval, Viviam Andrea García-Pachón, Claudia Tovar-Guerra, Carlos Rodríguez-Pérez, Miguel Ángel Brand-Narváez, Sergio Andrés Forero-Machado, Beatriz Helena Alba-Sanabria

Producción: Contribución a una revistaArtículorevisión exhaustiva

Resumen

In Colombia, the audiovisual has been consolidated as a relevant tool for the construction of historical memory and the documentation of actors’ stories within the framework of the armed conflict. Given its importance, this article seeks to show contributions to think about sensitive ways of working in audiovisual products and their possible articulation with psychosocial actions based on the perspectives and experiences of victims of the Colombian armed conflict with experience in audiovisual production processes. For this purpose, discussion groups were held with victims who had some experience in audiovisual production processes. The results point to two general topics, the first one discusses the nature of the audiovisual as a psychosocial intervention, so it must have the corresponding ethical aspects. The second topic has to do with the act of narration and takes into account the effects on the victim who narrates her story out loud, generating a double feeling of confidence and relief; at the same time it highlights the role of the audiovisual as an artifact of memory and the possibility of awakening feelings of empathy and commitment in the audience, with the hope of contributing to the non-repetition of the victimizing facts. © 2022 Universidad Complutense de Madrid. All rights reserved.
Idioma originalEspañol
Páginas (desde-hasta)1285-1299
PublicaciónArte, Individuo y Sociedad
Volumen34
N.º4
DOI
EstadoPublicada - 27 jun. 2022

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