Análisis geométrico y gráfico de las pirámides de Le Corbusier (1950-1957)

Mariolly Davila Cordido; José Javier Alayón González; Odart Gratero Prado

doi:10.5151/despro-sigradi2015-40087

Análisis geométrico y gráfico de las pirámides de Le Corbusier (1950-1957)

Mariolly Davila Cordido, José Javier Alayón González, Odart Gratero Prado

Universidad Simón Bolívar

Producción: Capítulo del libro/informe/acta de congreso › Contribución a la conferencia › revisión exhaustiva

Resumen

This paper addresses the issue about the geometrical properties and physical measures of the pyramids that Le Corbusier planned throughout his career; while approaching these bodies through his drawings and perspectives. This aims to decipher the objective role of mathematics, and the subjectivity of the visual-perceptive in his approach to the design process. Le Corbusier, one of the greatest masters of modern architecture, still uses the classical perspective as a tool that allows him to express the pictorial nature of his compositions and to demonstrate his aspirations about shape.

Idioma original	Español
Título de la publicación alojada	Anais do XIX Congresso da Sociedade Ibero-americana de Gráfica Digital 2015
Lugar de publicación	São Paulo
Editorial	Blucher Proceedings
Páginas	177-182
Número de páginas	6
Volumen	2
Edición	3
ISBN (versión digital)	978-85-8039-136-7
DOI	https://doi.org/10.5151/despro-sigradi2015-40087
Estado	Publicada - nov. 2015
Publicado de forma externa	Sí

Palabras clave

Le Corbusier
Pirámide
Geometría
Perspectiva
Análisis

Acceder al documento

10.5151/despro-sigradi2015-40087

Citar esto

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abstract = "This paper addresses the issue about the geometrical properties and physical measures of the pyramids that Le Corbusier planned throughout his career; while approaching these bodies through his drawings and perspectives. This aims to decipher the objective role of mathematics, and the subjectivity of the visual-perceptive in his approach to the design process. Le Corbusier, one of the greatest masters of modern architecture, still uses the classical perspective as a tool that allows him to express the pictorial nature of his compositions and to demonstrate his aspirations about shape.",

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author = "Cordido, {Mariolly Davila} and Gonz{\'a}lez, {Jos{\'e} Javier Alay{\'o}n} and Prado, {Odart Gratero}",

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Análisis geométrico y gráfico de las pirámides de Le Corbusier (1950-1957). / Cordido, Mariolly Davila; González, José Javier Alayón; Prado, Odart Gratero.
Anais do XIX Congresso da Sociedade Ibero-americana de Gráfica Digital 2015. Vol. 2 3. ed. São Paulo: Blucher Proceedings, 2015. p. 177-182.

Producción: Capítulo del libro/informe/acta de congreso › Contribución a la conferencia › revisión exhaustiva

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