Abstract
In the processes of research / creation that I advance, the narratives that are constructed with the images (visual, aural, bodily) are a counterpoint to what is narrated. These images try to propose a correlate taking into account what happens in the middle of the action.
The work with images, beyond the creation itself, which is a principle proper to training as artists, begins to be configured in devices, in research method. In that sense, understanding the image as triggersallows to broaden the social history of the same nd account for contextual elements of creation / research that wouldn ́t be visible in another way.
These other ways of knowing, are landed around the work with images in which the visual narratives, the photoelicitation and the image as trigger, are concepts that articulate daily practices of artists / teachers.
The work with images, beyond the creation itself, which is a principle proper to training as artists, begins to be configured in devices, in research method. In that sense, understanding the image as triggersallows to broaden the social history of the same nd account for contextual elements of creation / research that wouldn ́t be visible in another way.
These other ways of knowing, are landed around the work with images in which the visual narratives, the photoelicitation and the image as trigger, are concepts that articulate daily practices of artists / teachers.
| Translated title of the contribution | Research / creation: body relationships with images |
|---|---|
| Original language | Spanish |
| Pages | 247-252 |
| Number of pages | 6 |
| No | 7 |
| Specialist publication | Tsantsa. Revista de Investigaciones artísticas |
| Publisher | Centro de investigacion de la Facultad de Arquitectura y Urbanismo, Universidad de Cuenca |
| State | Published - 01 Oct 2019 |
Keywords
- research/creation
- work with images
- visual narratives
- knowledge
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