El pulso de lo ordinario. Modos de habitar, modos de danzar los espacios de la cotidianidad.

The question of everydayness from the dancing perspective is a matter that has been historically refined by the work of artists who transferred their choreographic attention to the everyday bodily experience. This document analyzes the transit of dance’s discursive, scenic, and conceptual frontiers toward everydayness by looking at memory. It offers a proposal that invites reflection on the close relationship between the body in the scenario and the body in the street, a permeable relationship explored to vindicate the practice of dancing from the subjectivity of everydayness as extra-ordinary. This analysis starts from the relationship between the choreographic and educational experience in dialogue with referents from the 60s and the 80s, who engage in discourses and practices that show they looked to memory’s everydayness