Abstract
With this paper, I seek to frame the cultural institutions in the ongoing gentrification process of La Candelaria, a district of Bogotà, by means of a critical selection of literature and its thoughtful implementation to the particular study case. First, I will establish a framework for the urban phenomenon of gentrification, an Anglo-Saxon concept that needs certain reinterpretations when using it to think Latin American cities. Second, I place La Candelaria as a subject to this urban phenomenon and, in particular, to how urban cultural heritage strategies and monumentalization of the public space have triggered it. Third, I will trace the international trend of contemporary art centers for recycling deteriorated buildings in gentrification zones as leading actors of change, and interpreting. All to try to prove the key role that cultural institutions have as catalysts for gentrification processes by their loyal service to high culture and the ideology it represents.
| Translated title of the contribution | The role of the cultural institutions in the gentrification process of la Candelaria neighborhood in Bogotá: A case study |
|---|---|
| Original language | Spanish |
| Journal | Cuadernos de Musica, Artes Visuales y Artes Escenicas |
| Volume | 10 |
| Issue number | 2 |
| DOIs | |
| State | Published - 01 Jul 2015 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 11 Sustainable Cities and Communities
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