Abstract
Films are usually approached from an ideal perspective. Common theory usually hides the conditions of production of filmmaking. However, if the perspective is changed and films are analyzed as a product of a industrial system of production, it is possible to find the productive apparatus behind of every film. Apparatus that articulates school contents, screening venues, film festivals and finally even the cinematic form projected on the screen. One of the most important constitutive elements of cinematic apparatus is cinematographic theory and more precisely historical theory of cinema. This article approaches the different levels of history of cinema as a speech full of ideological biases.
| Translated title of the contribution | History of cinema and hegemony of cinematographic language |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 49-63 |
| Number of pages | 15 |
| Journal | Cuadernos de Musica, Artes Visuales y Artes Escenicas |
| Volume | 8 |
| Issue number | 2 |
| State | Published - 2013 |