Del evento escénico a sus enunciaciones

From the Performing Event to Its Enunciations presents a reflection on the ways in which the memory of dance is constructed through a verbal and written stage in which dance extends its communicative boundaries. Once dance disappears as an event, it reappears, shifting within the field of memory as a process of dissemination that travels through words, the body, text, images, and sound. These are the enunciations of dance. Different types of reappearances reactivate the experience of dance, expanding the boundaries of the event and inserting itself into social life. Dance is displaced in time: it occurs, resonates, and moves through time; and this displacement of dance in memory is not condensed as a unit, or in a particular form of memory. Rather, dance memories compose a complex world in which many types of voices, formats, scenarios, protocols, and memory politics resonate. This document begins with the question of dance memory as a concept and as a practice mediated in and by the body. This leads to a reflection based on the analysis of the different writings that emerge in the context of dance, as well as on choreographic practice itself, which becomes a field of research. In this text, I present the choreographic research Volume 18 No. 1, conducted in 2010 as part of my master's degree in choreography.