Aporías de la investigación en arquitectura: Adaptación del modelo científico en la producción y divulgación del conocimiento explícito

The multi-disciplinary condition of architecture involves a diversity of knowledge. Much of this knowledge is tacit; it is acquired and disseminated from practice. However, this paper deals with the explicit architectural knowledge that can be clearly conserved and transmitted. In the 20th century, architecture had consolidated its theoretical production through independent magazines and books, without peer-review but current academic demands have strengthened an unusual scientific research model for architecture. The new model has sparked debates about the relevance and the possibility of adapting creative disciplines to scientific research and dissemination standards. This article examines the hegemonic forms of production and dissemination of architectural knowledge to put such problems in perspective. It provides a theoretical overview of what research means in architecture and argues that, in addition to its technical component, architecture has a socio-cultural role that constitutes a form of knowledge to be developed through scientific research. To demonstrate this, it presents an original analysis of paradigmatic theories of the 20th century (Le Corbusier and Robert Venturi with Denise Scott Brown) applying the criteria of a methodical production of knowledge liable to be published in scientific journals.