Análisis geométrico y gráfico de las pirámides de Le Corbusier (1950-1957)

Mariolly Davila Cordido; José Javier Alayón González; Odart Gratero Prado

doi:10.5151/despro-sigradi2015-40087

Análisis geométrico y gráfico de las pirámides de Le Corbusier (1950-1957)

Mariolly Davila Cordido
, José Javier Alayón González
, Odart Gratero Prado

Universidad Simón Bolívar

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

This paper addresses the issue about the geometrical properties and physical measures of the pyramids that Le Corbusier planned throughout his career; while approaching these bodies through his drawings and perspectives. This aims to decipher the objective role of mathematics, and the subjectivity of the visual-perceptive in his approach to the design process. Le Corbusier, one of the greatest masters of modern architecture, still uses the classical perspective as a tool that allows him to express the pictorial nature of his compositions and to demonstrate his aspirations about shape.

Original language	Spanish
Title of host publication	Anais do XIX Congresso da Sociedade Ibero-americana de Gráfica Digital 2015
Place of Publication	São Paulo
Publisher	Blucher Proceedings
Pages	177-182
Number of pages	6
Volume	2
Edition	3
ISBN (Electronic)	978-85-8039-136-7
DOIs	https://doi.org/10.5151/despro-sigradi2015-40087
State	Published - Nov 2015
Externally published	Yes

Access to Document

10.5151/despro-sigradi2015-40087

Cite this

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title = "An{\'a}lisis geom{\'e}trico y gr{\'a}fico de las pir{\'a}mides de Le Corbusier (1950-1957)",

abstract = "This paper addresses the issue about the geometrical properties and physical measures of the pyramids that Le Corbusier planned throughout his career; while approaching these bodies through his drawings and perspectives. This aims to decipher the objective role of mathematics, and the subjectivity of the visual-perceptive in his approach to the design process. Le Corbusier, one of the greatest masters of modern architecture, still uses the classical perspective as a tool that allows him to express the pictorial nature of his compositions and to demonstrate his aspirations about shape.",

keywords = "Le Corbusier, Pir{\'a}mide, Geometr{\'i}a, Perspectiva, An{\'a}lisis",

author = "Cordido, \{Mariolly Davila\} and Gonz{\'a}lez, \{Jos{\'e} Javier Alay{\'o}n\} and Prado, \{Odart Gratero\}",

year = "2015",

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doi = "10.5151/despro-sigradi2015-40087",

language = "Espa{\~n}ol ",

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publisher = "Blucher Proceedings",

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Análisis geométrico y gráfico de las pirámides de Le Corbusier (1950-1957). / Cordido, Mariolly Davila; González, José Javier Alayón; Prado, Odart Gratero.
Anais do XIX Congresso da Sociedade Ibero-americana de Gráfica Digital 2015. Vol. 2 3. ed. São Paulo: Blucher Proceedings, 2015. p. 177-182.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

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AU - González, José Javier Alayón

AU - Prado, Odart Gratero

PY - 2015/11

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AB - This paper addresses the issue about the geometrical properties and physical measures of the pyramids that Le Corbusier planned throughout his career; while approaching these bodies through his drawings and perspectives. This aims to decipher the objective role of mathematics, and the subjectivity of the visual-perceptive in his approach to the design process. Le Corbusier, one of the greatest masters of modern architecture, still uses the classical perspective as a tool that allows him to express the pictorial nature of his compositions and to demonstrate his aspirations about shape.

KW - Le Corbusier

KW - Pirámide

KW - Geometría

KW - Perspectiva

KW - Análisis

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DO - 10.5151/despro-sigradi2015-40087

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BT - Anais do XIX Congresso da Sociedade Ibero-americana de Gráfica Digital 2015

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